Monday, February 21, 2005

Millerian Sentiments

"...Miriam is the name of names...She swallowed me up and carried me along; she enfolded me like a mother, warmed me like a mistress and dispatched me like a fairy. I never had an impure thought about her, never desired her, never craved for a caress. I loved her so deeply, so completely, that each time I met her it was like being born again. All I demanded was that she should remain alive, be of this earth,...her mere existence was all-sufficing...

I don't know how long this went on...I was in love with love. To love! To surrender absolutely, to prostrate oneself before the divine image, to die a thousand imaginary deaths, to annihilate every trace of self, to find the whole universe embodied and enshrined in the living image of another! Adolescent, we say. Rot! This is the germ of the future life, the seed which we hide away, which we bury within us, which we smother and stifle and do our utmost to destroy as we advance from one experience to another and flutter and flounder and lose our way."

Sexus, Henry Miller

a kind of journalism

Hunter Thompson died last night from self-inflicted gunshot wound to his head.

"The man who makes a beast of himself escapes the burden of being a man."

Tuesday, February 15, 2005

Head On--Gegen die Wand

Fatih Akin's Head On, winner of the Golden Bear at the Berlin Festival 2004 proved to be a stunning film, as it captured the raw vibrancy of a desperate relationship between two people attempting to piece together a life that would rescue them from self-annihilation. Birol Unel, is an actor of poignant magnetism that allows you to accept the monstrosity of his character, a man driven to drink and self-destruction after the death of his first wife. Sibel Guner, had the honest, playful quality of youth and aptly portrayed the staggering contradictions and complexities of one who feels herself trapped by the confines of tradition and culture. The hunger for life, the characters' deep-seated need to experience life in a fuller, more meaningful way, in the midst of suicide is the film's triumphant irony which leads you to continue to root for these characters. Though it seems they have despaired, they have not given up wanting, and it is in their desire that we appreciate how fragile, yet resiliently alive these characters are.

Saturday, February 12, 2005

The beauty of us

"I heard somewhere that suicide is a mortal sin...but I thought, how horrible is it to punish someone for being in so much pain in this life that she had to end it...isn't suicide the desperate attempt for a final relief?"

Someone spoke and stifled what appeared like the most sincere cry...I feel so alone, she said. It came from somewhere deeper than the words and she looked so beautiful in her self-expending grief.

I thought, Marilyn Robinson must be right: the beauty of us, not the goodness of us that keeps God interested.

The Intimate World

Was Abraham Lincoln a homosexual? Good morning NPR! How would you like this with your Saturday morning coffee... A book by Tripp is out to out Lincoln?--The Intimate World of Abraham Lincoln...

Joshua Speed...who was he to Mr. L? Does it matter in illuminating history and his governance of this country?

Goya gay, Lincoln gay, gay gay gay...Happy Valentine's day to you too.

Friday, February 11, 2005

'Throw the doors of our theatres open to all..."

Bay Area theaters, patterned after Austin and Philadelphia, will be opening their doors for free to all one night this October (2005) to encourage a wider patronage by the general public...keep your ears to the grindstone.

Miller to Miller

"Arthur Miller dead at 89 last night at his home in Connecticut..."--NPR

"Every day we slaughter our finest impulses..." I type words of Henry Miller...

At the heart of it

...A great work of art, if it accomplishes anything, serves to remind us, or let us say to set us dreaming, of all that is fluid and intangible. Which is to say, the universe. It cannot be understood; it can only be accepted or rejected. If accepted we are revitalized; if rejected diminished. Whatever it purports to be it is not: it is always something more for which the last word will never be said. It is all that we put into it out of hunger for that which we deny every day of our lives. If we accepted ourselves as completely, the work of art, in fact the whole world of art, would die of malnutrition. Every man Jack of us moves without feet at least a few hours a day, when his eyes are closed and his body prone. The art of dreaming when wide awake will be in the power of every man one day. Long before books will cease to exist, for when men are wide awake and dreaming their powers of communication (with one another and with the spirit that moves all men) will be so enhanced as to make writing seem like the harsh raucous squawks of an idiot...

...Everyday we slaughter our finest impulses. That is why we get a heartache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty. Every man, when he gets quiet, when he becomes desperately honest with himself, is capable of uttering profound truths. We all derive from the same source. There is no mystery about the origin of things. We are all part of creation, all kings, all poets, all musicians; we have only to open up, only to discover what is already there.

Sexus, Henry Miller

Assortment--all that jazz

Stride piano...Fats Waller, James P. Johnson, Art Tatum--pre-40's jazz...

Thursday, February 10, 2005

Tell me it isn't so...

Sexus

...No man would set a word down on paper if he had the courage to live out what he believed in. His inspiration is deflected at the source. If it is a world of truth and beauty and magic that he desires to create, why does he put millions of words between himself and the reality of that world? Why does he defer action--unless it be that, like other men, what he really desires is power, fame, success. 'Books are human actions in death,' said Balzac. Yet having perceived the truth, he deliberately surrendered the angel to the demon which possessed him.

A writer woos his public just as ignominiously as a politician or any other mountebank; he loves to finger the great pulse, to prescribe like a physician, to win a place for himself, to be recognized as a force, to receive the full cup of adulation, even if it be deferred a thousand years. He doesn't want a new world which might be established immediately, because he knows it would never suit him. He wants an impossible world which he is the crowned puppet-ruler dominated by forces utterly beyond his control. He is content to rule insidiously--in the fictive world of symbols--because the very thought of contact with rude and brutal realities frightens him. True, he has a greater grasp of reality than other men, but he makes no effort to impose that higher reality on the world by force of example. He is satisfied just to preach to drag along in the wake of disasters and catastrophes, a death--croaking prophet always with honor, always stoned, always shunned by those who, however unsuited for their tasks, are ready and willing to assume responsibility for the affairs of the world. The truly great writer does not want to write: he wants the world to be a place in which he can live the life of the imagination. The first quivering word he puts to paper is the word of the wounded angel: pain. The process of putting down words is the equivalent to giving oneself a narcotic. Observing the growth of a book under his hands, the author swells with delusions of grandeur. 'I too am a conqueror--perhaps the greatest conqueror of all! My day is coming. I will enslave the world--by the magic of words...' Et cetera ad nauseum...

Henry Miller

Wednesday, February 09, 2005

Sting and Permanence

"It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound--that he will never get over it. That is to say, permanence in poetry, as in love, is perceived instantly. It hasn't to wait the test of time. The proof of a poem is not that we have never forgotten it, but we knew at sight we never could forget it."--Robert Frost

Found

Wish you were here

I write that you might see the torturous blue sky
laden with clouds that lament yet evaporate,
gold dust hills dotted with scrub and pinones,
black craggy mountains robed in distant blue shadows.

I refine these desert pigments, make ink
and catch moments, gestures, landscapes with verbose lariats
that you might smile and stagger, breathing enchantment,
when the heavens burst forth with a sunset like spilled wines.

--Tia Blassingame

Thursday, February 03, 2005

A Draft Unpublished dated 2/3/05: Electra Complex--this must be for E.

scared. i hold in my hand the fragile life that is mine. mine indeed if only i take hold of it. some friend in the not so distant past had the facility of description: this terrifying urge in descent to some unknown disaster, the abyss of fear that takes hold in the middle of some life, he said. we no longer talk of such truths for friendship fails us now. the very fact of it adds to the burden and squashes relief. small smiles sometimes do mean more than sacred vows. that, my friend, is now dead. so. here again at a certain crossroad. always it seems, crossroads that never end.
i look on it with a kind of heaviness as a child who wishes to touch the water but fears the swim, the longing of dry comfort never releases him. so, the fear is childish, then? or mere what? a clinging to some end. my impotence an implosion with what otherwise would have been a triumphant swing. all that energy. waiting. what garbage words to express my want of sympathy for life, for the mere satisfaction of the usefulness of energy. the glorious attempt? that it? this then is the song of such abhorred sloth. true? a maladjusted crutch of a heart still longing in confusion. wanting still something deeper that was crushed not long ago, but long ago enough to forget. yes, i suppose. they say, such confusion grows in contemplation.
the difference in description foretells the difference in minds. my irrationality depicts a kind of personality not so direct and yet aims to puncture the heart of the experience. his is true in essence to the linearity of each moment with the dose of such meaningful hyperbole. a logician's poetry. mine? a clutter of words that hope for a semblance of value. a clutter of feelings that search for some category. a space in consciousness that longs for a meaningfulness. a fullness in the face of the ticking void of hours. and yet. a long list of things, of events to propel me forward awaits the touch of description in action, they will mean something the moment i point the minutes to their fulfillment. this, the accomplishment of a kind of willingness to move on. moving on. moving out. out of here to the other side of the continent. accepting. if only. the sad conclusion to the attempt of owning a kind of heart. for the first time. feeling deeply a friendship. a closeness with an admired life. no longer true. not now.
what i say is not a grand truth. the opposite, in fact. it is a glimmer. it comes then washes out in the blasted sunlight of a higher spirit. the smallness of my perception aches for a grander frame. that's what it is in the end, isn't it? minute. deep in the core a sensation of life happens, a thought, a feeling, then it tints the world a little at a time and we see everything in that bit of color. until we clean ourselves anew with someone else's description of the thing we gaze upon. sometimes this is done in cruelty. sometimes in kindness. if so, we pray for friendship. a touching of the soul if only every so often. just enough times to clean us anew, with a brand new perception, or if not, a different shape of frame. that's when the core changes. that's when life touches to teach us of a new way. the core metamorphosizes into a foreign shape. that's the birth and rebirth we hope for. a new child is born. indeed. at each juncture. sometimes in cruelty. sometimes in kindness. but always praying for a true kind of friendship.
this i am sure is not an easy read. nor is that my main concern. nor is it done to impress. it is an essay, an attempt to put words finally in place of some color. to arrange like the alphabet arranges sounds put together by the tongue. finally. the longing doesn't seem to end. or is it the air that travels in this place? if, as the woman with a crutch across the continent advised me, i were to move there, would the thought recede in the column of forgetfulness. contain it there, finally? it must be the circulating air in this place. it blows around in constant reminiscence of some fragrance, a scent of past laughter that reminds one of the same instinct to place joy in front of sadness. it is the glorious murmur of living, after all. the intoxication of a giggle. all muscles jerk in accordance to some primal urge. a cup of happiness in one sound.
if one is to regret anything it is to regret one's cruelty. i know it each time the demon in me passes. i know a part has been chipped away. if anything,( i am not sure if it be a consolation) the kindnesses of the past resurface in better shine. it doesn't erase the memory but does the opposite. memory bobs to the surface and teases us to revisit that grander time when the devil has not seized the situation and the air is pure. when laughter cleans it every so often. is it the same for you? i know that's the cause of sadness for me. every so often.
but, what is to be done? i never claimed perfection as a human being. only that i be truthful as far as what kind of an animal i am. what kind of an animal am i? the question in this regard never seem to cease. i am a conglomeration of vanity, lust, greed, ambition. only hoping to be better than those things i see; hoping to find in my thoughts a release to some better place. a kind of divinity in my attempt with other human beings who face the devil in them and be brave enough to fight it or point to the skies to watch a meteor pass by as an act of greater force, a oneness with a universe. finding at last a beauty, a kind of beauty that will sustain them and balance it all out. in this last regard i weep. i too, shamefully, weep. because those moments do exist. when the moon shone and the tides washed to shore some gift. an instrument of conversation. and beauty happened in the stories that we told watching the night sky unfold some dream of grandeur in the stars.